Sunday, May 13, 2007

The Whole 12 Inches Vol 2

Ahh thrift stores. Most of them time you walk in, get your hands dirty, find something, buy it because the cover is weird, take it home and find out its total crap. We do it over and over because sometimes (I repeat: SOMETIMES) we find a gem. A couple weeks ago I picked this up. Normally I would not buy anything by a band called Saxophone (due to my general distaste of them) but this had ads for the Donna Laser Orchestra, Koto, Hipnosis and other awesome Italo groups on the back. Turns out its a sugary sweet Italo cover of OMD's already sugary sweet Souvenir. Score!

Saxophone- Souvenir
Saxophone- Souvenir (Instrumental)

and because I love you...

OMD- Souvenir

Skydiver


Heres my contribution to the new "Hughes House" phenomenon. Bumrocks dropped this at some point last year and despite my Ebaying Soulseeking and searching and searching I can't find anything else by this dude. Damn Bumrocks in all of its quiet uninformative brilliance. As expected from those familiar with Hughes House, it's chimey disco love spiced with crunchy guitars and spacy moments.

Ben Richardson- Diver No. II

Wednesday, May 9, 2007

1981 -

This is like the product of Enya and Mike Oldfield canoodling in the backseat of Robert Smiths car. I see triumphant african sunsets and slo mo jumping dolphins. As usual.

Woohoo Hoo Hoo

I woke up to this today and I'll tell you what, I feel a whole lot better. Original? Re-edit? Who cares? Its disco! Beautiful, over the top disco love.

Monday, May 7, 2007

Sea Breeze

Lexx put this lovely re-edit of Black Sabbath's Symptom of the Universe out last year. I'm a sucker for Black Sabbath, re-edits and cheesy ocean noises. Therefore I'm psyched. Feel the ocean breeze, undo your pony tail and let that hair fly. You dirty hippie.

Cha Cha Cha


If its as nice where you are as it is in San Francisco, will you please go to the park or beach, drink Coronas and listen to this song for me? I have to work. Thanks.

Booka Shade- Body Language (Senor Coconut Mix)

Soul Grabber

Soul Grabber. When I first heard it in '97 or '98 i was all, "Wow". It does nothing basically. It plays a Super Mario-esque bassline and has a beat. Then it filters, then it doesn't and sometimes theres sleigh bells. What can I say? It's a deceptively simple monster.

Bondo


Okay I rented the new James Bond. Didn't expect much but shit is kinda crazy. I mean seriously, usually Bond villains put him in complicated death traps or play killer head to head video games right? Not this time. The villain just strips him, ties him to a chair and whips his balls. HIS BALLS. So weird. Anyway this Maral Salmassi track would make a much better opening number for the new brutal Bondo than that horrid Chris Cornell thing. Big bass, acid and 007 style horn hits that whip you right in the nuts. THE NUTS.

Maral Salmassi- Fire Gem

WZAP. Happy Radio.


While the computer was out for fixin the records and I hung out a lot. Dusted this one off and have had it on repeat ever since. Off The New Zapp IV U album from '85 a song about a radio station thats probably very near WDPK on the dial. It's talkbox heaven. Heaven. Layers and layers and layers of em. Zapp fuckin rules. For y'all that don't know heres a little bio I stole from Discogs.

"One of the most underrated funk groups of the 1980s, Zapp revolutionized the computer pop of electro with their trademark vocoder talk boxes and bumping grooves, with a leader in Roger Troutman who was more than efficient at polished production. The family group, with brothers Roger, Lester, Larry and Tony Troutman, grew up in Hamilton, OH, influenced by hometown heroes the Ohio Players as well as Parliament and other funk groups. Tony was the first to begin recording, with an obscure single for Gram-O-Phon Records, "I Truly Love You," which scraped the R&B charts in 1976. Joined by his brothers (Roger on vocals and guitar, Lester on drums, Larry on percussion, and himself contributing bass) and christened Zapp, the group played around the Midwest and gradually picked up backing vocalists (Bobby Glover, Janetta Boyce), keyboard players (Greg Jackson, Sherman Fleetwood) and a horn section.
Zapp's following quickly gained notices, and Bootsy Collins himself was hired on to work with the group on their debut album. Released in 1980, "Zapp" hit the Top 20 on the pop charts, thanks to the single "More Bounce to the Ounce." The following year, Roger released his solo debut album, "The Many facets of Roger". His special cover of "I Heard It Through the Grapevine," complete with vocoderized talk box, pushed the album into gold territory (as "Zapp" had done). "Zapp II" appeared in 1982 and proved just as popular as the group's first, including Zapp's only number one R&B single, "Dance Floor."
"Zapp III" barely made the Top 40 pop charts upon release in 1983, and Roger’s second solo album, "The Saga Continues", was also a (commercial) disappointment.
What can be considered as their best record, "The New Zapp IV U" fared slightly better after release in late 1985 (thanks to the single "Computer Love"), and in 1987, Roger’s third solo album, "Unlimited!", featured the group's biggest hit yet, "I Want to Be Your Man," a chart-topper on the R&B lists and a respectable number three pop. Though Roger and/or Zapp hit the R&B charts frequently during the rest of the late '80s, the unit had effectively halted recording with the 1991 Roger LP "Bridging the Gap". Roger continued to produce and play with other artists, and it was his talk box that graced Dr. Dre & 2Pac's Top Ten 1996 single "California Love." The 1993 Roger & Zapp collection All the Greatest Hits sold well, earning the collective their first platinum record. The Zapp story ended in tragedy on April 25, 1999, when Roger was shot to death by Larry, who then turned the gun on himself."

Damn. Where's Behind the Music when you need em?

Zapp- Radio People

Ooh. Bonus.

Zapp- Funky Bounce

That ones got a little Sesame Street pinball vibe.

Bounce Kick Twirl


This song makes me wanna dance like Molly Ringwald. Or with her. Whatever. I can't find any info on this band whatsoever but I can tell you that:
1. Its probably from around '81.
2. It sounds like a lot of early Depeche Mode before they got all sad. Speak & Spell in particular.
3. Echo & The Bunnymen have a song called Turquoise Days.
4. My girlfriend loves turquoise.
5. I love this song.

Turquoise Days- Grey Skies