Monday, May 7, 2007

Soul Grabber

Soul Grabber. When I first heard it in '97 or '98 i was all, "Wow". It does nothing basically. It plays a Super Mario-esque bassline and has a beat. Then it filters, then it doesn't and sometimes theres sleigh bells. What can I say? It's a deceptively simple monster.

Bondo


Okay I rented the new James Bond. Didn't expect much but shit is kinda crazy. I mean seriously, usually Bond villains put him in complicated death traps or play killer head to head video games right? Not this time. The villain just strips him, ties him to a chair and whips his balls. HIS BALLS. So weird. Anyway this Maral Salmassi track would make a much better opening number for the new brutal Bondo than that horrid Chris Cornell thing. Big bass, acid and 007 style horn hits that whip you right in the nuts. THE NUTS.

Maral Salmassi- Fire Gem

WZAP. Happy Radio.


While the computer was out for fixin the records and I hung out a lot. Dusted this one off and have had it on repeat ever since. Off The New Zapp IV U album from '85 a song about a radio station thats probably very near WDPK on the dial. It's talkbox heaven. Heaven. Layers and layers and layers of em. Zapp fuckin rules. For y'all that don't know heres a little bio I stole from Discogs.

"One of the most underrated funk groups of the 1980s, Zapp revolutionized the computer pop of electro with their trademark vocoder talk boxes and bumping grooves, with a leader in Roger Troutman who was more than efficient at polished production. The family group, with brothers Roger, Lester, Larry and Tony Troutman, grew up in Hamilton, OH, influenced by hometown heroes the Ohio Players as well as Parliament and other funk groups. Tony was the first to begin recording, with an obscure single for Gram-O-Phon Records, "I Truly Love You," which scraped the R&B charts in 1976. Joined by his brothers (Roger on vocals and guitar, Lester on drums, Larry on percussion, and himself contributing bass) and christened Zapp, the group played around the Midwest and gradually picked up backing vocalists (Bobby Glover, Janetta Boyce), keyboard players (Greg Jackson, Sherman Fleetwood) and a horn section.
Zapp's following quickly gained notices, and Bootsy Collins himself was hired on to work with the group on their debut album. Released in 1980, "Zapp" hit the Top 20 on the pop charts, thanks to the single "More Bounce to the Ounce." The following year, Roger released his solo debut album, "The Many facets of Roger". His special cover of "I Heard It Through the Grapevine," complete with vocoderized talk box, pushed the album into gold territory (as "Zapp" had done). "Zapp II" appeared in 1982 and proved just as popular as the group's first, including Zapp's only number one R&B single, "Dance Floor."
"Zapp III" barely made the Top 40 pop charts upon release in 1983, and Roger’s second solo album, "The Saga Continues", was also a (commercial) disappointment.
What can be considered as their best record, "The New Zapp IV U" fared slightly better after release in late 1985 (thanks to the single "Computer Love"), and in 1987, Roger’s third solo album, "Unlimited!", featured the group's biggest hit yet, "I Want to Be Your Man," a chart-topper on the R&B lists and a respectable number three pop. Though Roger and/or Zapp hit the R&B charts frequently during the rest of the late '80s, the unit had effectively halted recording with the 1991 Roger LP "Bridging the Gap". Roger continued to produce and play with other artists, and it was his talk box that graced Dr. Dre & 2Pac's Top Ten 1996 single "California Love." The 1993 Roger & Zapp collection All the Greatest Hits sold well, earning the collective their first platinum record. The Zapp story ended in tragedy on April 25, 1999, when Roger was shot to death by Larry, who then turned the gun on himself."

Damn. Where's Behind the Music when you need em?

Zapp- Radio People

Ooh. Bonus.

Zapp- Funky Bounce

That ones got a little Sesame Street pinball vibe.

Bounce Kick Twirl


This song makes me wanna dance like Molly Ringwald. Or with her. Whatever. I can't find any info on this band whatsoever but I can tell you that:
1. Its probably from around '81.
2. It sounds like a lot of early Depeche Mode before they got all sad. Speak & Spell in particular.
3. Echo & The Bunnymen have a song called Turquoise Days.
4. My girlfriend loves turquoise.
5. I love this song.

Turquoise Days- Grey Skies

Saturday, April 28, 2007

Concerts Are Rad


I just got home from seeing Soulwax at Mezzanine. Gnarly. I used to be a dancin machine, but overthe past 8 or 9 years developed this problem where I just cant dance in public situations. At home, I'll fuckin dance the shit out of the place but OUT... nah. Too hung up. However tonight joins my recent hall of fame. Other inductees include:

1. !!! three years ago. Hands over a beer over the head screamin yellin freakin out. Dudes got energy energy NRG. I see you Weinstein.

2. Modeselektor last year. Modeselektor played this crazy glitchedvocodedraved out dancehall set that ended up with them playing a song faster and faster until it sounded like happy hardcore. I love happy hardcore, so that ruled and there was this chick in heels that was so excited that she had her drink over her head throwing it on everyone and smacking me with her oversized purse and it didnt even bother me. In fact I liked it. Thats how rad that show was. ANYWAY...

All screechscreech build payoff, repeat. Amazing. Take old school rave ingredients, cross with contemporary production techniques and finish off by performing it all with the bombast of an arena rock band. Once again, Gnarly. My ears are making really weird sounds right now. Ouch.

ALSO... Muscles opened. We've all heard his stuff. It's good. See him live. As someone who makes electronic music I always wonder how to perform live without coming off like a total douche. Muscles is my new inspirato. Heartfelt, hilarious and often childlike lyrics over beats saluting housetechnohiphopeurocrapgrimesynthpopblahblahblah (he's eclectic. check his inspirato at the myspace), done with an irresistible stage presence. Shit was amazing. All alone on stage, he killed it. At only 22, with something like one(?) single under his belt he's ready to take the world by storm. I hope the world is ready. And hes really nice. Yay!

I was going to share my recipe for getting perfectly drunk for a show, which I absolutely nailed tonight, but after writing it out I felt like I had a "problem". So, fuck it.

Picked this up from the man himself tonight. Love it like I do, and grab his album (or single) whenever it drops.

Muscles- We Can Use Magic

Sorry. No editing tonight. Im a leetle teepsy.

Thursday, April 26, 2007

Love Sick


I have nothing to say about this, except the bassline sounds really nice in my headphones.

Nufrequency- Love Sick (Mock & Toof Mix)

Bamboo Brainwave


Sorcerer has proved that trippy cosmic dudes don't have to come from Nordic countries. Good for him. He hails from across the bay from me in Oakland. His track, Surfing at Midnight is about to get lot of play thanks to Pitchfork and the fact that it fuckin rules. This is an older track of his that I've been listening to since he posted it on Dream Chimney (where he goes as SorcererChimney) in September of last year. A tune so breezy it could blow Christopher Cross over.

Chro me o. Woah oh.


Chromeos new album Fancy Footwork is on extra super repeat right now. Super fun, catchy, bouncy, retro yet forward thinking, I love it. Not a bad track on the album. My only gripe is there's a lot less talkbox than the first record. A small problem for most but hey, this is the guy that shed a few tears when Roger Troutman died. This is a random one to post, being that it is a little different sound from the boys and its probably the most ridiculous song on the album. Its like Chromeo meets Supertramp with a little interlude from Human After All era Daft Punk. A total novelty that will be stuck in your head for days.

Chromeo- Momma's Boy

Sunday, April 22, 2007

L.O.R.N.

Huge.


Friday, April 20, 2007

You Black Devil You


People of the dark cosmos unite. Bernard Fevre will soon grace us all with Black Devil Disco Club In Dub. All the tracks from "28 After" are dubbed and remixed to increase your galactic pleasures. Prins Thomas, In Flagranti, Unit 4, Quiet Village and Elitetechnique all put their skills to very good use. Anybody know anything about Black Mustang? I'm really liking their sound right about now.

Black Devil Disco Club- Constantly No Respect (The Phenomena of The Black Mustang Version)